{"id":5742,"date":"2018-09-28T15:58:55","date_gmt":"2018-09-28T07:58:55","guid":{"rendered":"http:\/\/www.yang-maolin.com\/wordpress\/?page_id=5742"},"modified":"2024-01-22T18:49:32","modified_gmt":"2024-01-22T10:49:32","slug":"deep-sea-fish-oil-painting","status":"publish","type":"page","link":"http:\/\/www.yang-maolin.com\/wordpress\/deep-sea-fish-oil-painting\/","title":{"rendered":"\u9eef\u9ed1\u7684\u653e\u6d6a\u8005\u2013\u6cb9\u756b"},"content":{"rendered":"

2017-2020<\/h2>\n

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Wanderers of the Abyssal Darkness\u2013Oil Painting \uff5c 2017-2020<\/h2>\n

The reason why Yang Mao-Lin\u2019s paintings are so moving and resonating is not only because of the core values that he has focused on in each stage of his art career and the challenges he has posed to ideology and conventional aesthetics but also due to the way his rich and extraordinary paintings can entice and move people\u2019s perceptions. Even the compositions with seemingly large planes and blocks from his early years, complex textures, overlapping colors, and intricate brushstrokes are still observed when viewed up close. Art history documents and digital images have allowed the audience to become acquainted with his vivid pictures, and with the canvas as a medium, the folds and creases of history in the repetition of what is seen are suggested, and the artist\u2019s formal exploration and transformation in response to the changes of the times are also conveyed. Upon seeing his original works, one can further understand Yang\u2019s painterly ability and ambition.<\/p>\n

No matter which subject he was working on, Yang Mao-Lin\u2019s habit is to conjure up a mental composition first before he paints, and he then applies different primers to different parts of the canvas according to the layout in his mind, and maybe it\u2019s with coarse gravel or perhaps it is a primer that is thick, flaking, delicate, absorbent, or moisture-wicking…and he would then make rubbing, smearing, sprinkling, dabbing, and other assortments of marks. These steps of textural priming are also done on both white and monochromatic areas, and after the multi-layered base-building process, the artwork created can then take on deep and rich textural variations. This multi-layered priming is especially essential for the impression of the deep sea depicted in the Wanderers of the Abyssal Darkness series.<\/p>\n

Dynamic composition is an approach that Yang specializes in. He prefers to start with an unconventional composition and then gradually completes the image to create a confronting or balanced relationship. This kind of risky and unsettling approach to composition fills his artworks with an unusual sense of adventure.<\/p>\n

Furthermore, Yang deliberately leaves obvious tactile marks on his paintings, even on his large-scale pieces. Therefore, besides using paintbrushes, he also makes extensive use of oil sticks or oil bars to make lines and smears, which leave sensual gestural marks on his paintings. These techniques are used by the artist to paint vivid deep-sea creatures and have resulted in paintings that showcase a variety of styles, including cartoon-like bright and exaggerated colors, monochromatic outline sketches, and the incorporation of bronze sculptural fish in his paintings. Yang Mao-Lin is forthright and bold, and as he shifts his focus back on the canvas, his never-ending quest continues to unfold.<\/p>\n

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