{"id":6699,"date":"2022-05-27T13:01:24","date_gmt":"2022-05-27T05:01:24","guid":{"rendered":"http:\/\/www.yang-maolin.com\/wordpress\/?page_id=6699"},"modified":"2024-01-22T19:40:43","modified_gmt":"2024-01-22T11:40:43","slug":"inviting-immortals","status":"publish","type":"page","link":"http:\/\/www.yang-maolin.com\/wordpress\/inviting-immortals\/","title":{"rendered":"\u8acb\u773e\u4ed9"},"content":{"rendered":"

2020 \u2013 Present<\/h2>\n

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Inviting the Immortals\uff5c2020 \u2013 Present<\/h2>\n

Yang Mao-Lin\u2019s work is driven by his personal needs, and has been faithful to his own life history: \u201cI have always been fond of comics, cartoons, and heroes in movies. They are all about saving Earth and keeping the peace of the universe and the world. In a certain way, they are like devas and buddhas to children, selflessly sacrificing themselves and protecting humanity.\u201d Whether the cartoons deeply rooted in his childhood memory, the popular culture loved by the general public, or the religious beliefs in traditional folk culture, they have all been fully embodied as the sculptural works of comic and cartoon deities through the artist\u2019s creative vocabularies.<\/p>\n

Using iconography of \u201cforeign culture\u201d and \u201csubculture,\u201d the artist combines ideas of Buddhism, the fundamental system of buddhas, and the solemn, holy looks of divinities with popular comic and cartoon characters, creating a mixture of sacredness and mundanity. He transforms these \u201cdeified comic and cartoon figures\u201d with halos into guardian deities, and names them \u201cdeva,\u201d \u201craja\u201d, \u201cbodhisattva,\u201d or \u201cbuddha.\u201d For instance, Amitabha Yoda of the North features the wise Master Yoda from Star Wars doing a mudra; and in the background, Yang tells the story of Yoda through narrative prints. Vairocana Tie Buddha is based on the Japanese comic Tetsujin 28-go, combined with the image of Mahavairocana. In addition to the mudra, the background depicts planets in the galaxy, revealing the cosmic view of ancient civilizations. In Stormtrooper Deva on Central Formosan Toad, the Stormtrooper in Star Wars is portrayed in the image of Lokapala from the Sui and Tang dynasties. Through the contradictory aesthetics of mixing heroes in comics and cartoons with deities, the artist explores the hybrid elements informing the root of Taiwanese culture, and addresses the infiltration of colonial culture as well as the formation of its subjective culture.<\/p>\n

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