黯黑的放浪者–油畫

2017-迄今

從《黯黑的放浪者》開始,楊茂林又回到繪畫的創作慾望。他使用深海魚作為自畫像,交錯各種不同的繪畫手法融入畫面,創造一個衝突又協調、對比又破壞、緊張又和諧的情境。


 

Wanderers of the Abyssal Darkness–Oil Painting | 2017-Present

Starting with Wanderers of the Abyssal Darkness, Yang Mao-lin’s creative desire of painting has been reignited. He has chosen the deep sea fish as his self portrait in this painting, which is interlaced with various painting techniques, creating a situation of conflict and coordination, contrast and destruction, tension and harmony.


  

 

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